I've been taking a break from dealing with certain issues because well, because I need a break. I've been trying to work on a couple of posts, one on the whole nasty debate about a "man's right to choose" sparked by Dalton Conley's December 1st NY Times editorial on the topic, and another on the sexsomnia defense a guy in Canada used to beat a rape charge, but I don't get very far before I get too upset to continue.
Here's something I would dismiss as silly if it weren't for the fact that I really dig textiles and clothing. But the clothes I own are typically things I made myself or bought on sale, and I am of the opinion that haute couture is overpriced, wasteful and misogynist. This article made me think about WHY high fashion might be something the average woman doesn't want, need or have the money for. It's from the NY Times, about why women don't succeed as fashion designers. Among the arguments for why men, either straight or gay, are better than women at designing clothes for women, are these:
In some quarters, the perception exists that fashion's main consumers, women, are more comfortable taking advice about how they should look from a man. "Men are often better designers for women than other women," said Tom Ford, the former creative director of Gucci and Yves Saint Laurent, who more than anyone in the past decade built a brand on his own persona, that of a man whose sensual appeal is to both men and women. Whereas Bill Blass, Valentino and Oscar de la Renta founded their empires on the strength of a nonthreatening, nonsexual charisma, Mr. Ford aggressively promoted his sexually charged designs. "Of course there are many more gay male designers," Mr. Ford said. "I think we are more objective. We don't come with the baggage of hating certain parts of our bodies."
Some designers embrace an extreme version of this position. Michael Vollbracht, the current designer of Bill Blass, said he believes that gay men are demonstrably superior at design, their aesthetic formed by a perception of a woman as an idealized fantasy. "I come from a time when gay men dressed women," Mr. Vollbracht said. "We didn't bed them. Or at least I didn't. I am someone who is really pro-homosexual. I am an elitist. I am better than straight people. Women are confused about who they want to be. I believe that male designers have the fantasy level that women do not."
When women design for other women, Mr. Ford said, they proceed from a standpoint of practicality - not fantasy. "Sometimes women are trapped by their own views of themselves, but some have built careers around that," he said. "Donna Karan was obsessed with her hips and used her own idiosyncrasies to define her brand."
The Times' article purports to be an expose on the topic, but it doesn't include many women's voices on the matter. It does, however, let a designer named Dana Buchman respond to these arguments. Ms. Buchman "sees little value in such arguments. If men are more objective, she countered, then women are empathetic, which can be useful in understanding the consumer. 'I wear my own clothes,' she said. 'I have lived the life of my customer.'" Yeah, but that's precisely the problem, as Tom Ford kindly points out: she's too caught up in the practical issues of how clothes fit the real bodies and real lives of real women! And since she never wants to f*ck herself the way a straight man would and never sees clearly the aesthetic ideal women should strive to embody the way a certain type of elitist gay man would, she will never know as well as either class of man how to dress herself, or other women.